Beyond Cuckoo

(Shared from Mu the Motherland)

In Bolivia, high in the Andes, not far from Lake Titicaca, is an archaeological site often linked to the ancient civilizations of Mu and Atlantis. The stonework is like no other found on the planet in that many of the huge 130 ton ‘H’ shaped structures are reminiscent of modern-day ‘Legos’. These stones are precisely interlocked without the use of mortar and, when reconstructed to scale, in scientific labs, suggest that they could have been launch pads for aircraft. The exact symmetry of the pieces could not have been chiseled with primitive tools, as was once suggested. Today, most archaeologists agree that some sort of advanced technology had to be utilized to not only construct but move these giants into place.

Picture a world, much like today’s, with high-tech capabilities and a sophisticated world network of airports, military bases, and energy producing capabilities. Archaeological studies have not found artifacts or inscriptions that explicitly connect Puma Punku with known myths or histories of Mu and Atlantis. However, the global similarities in pyramid construction and megalithic sites suggest a shared architectural knowledge or parallel development among dispersed ancient cultures. The same questions surround Puma Punku as are asked about the pyramids of Egypt and other ancient global structures. How were these structures designed, why do so many similarities exist, what was their purpose, and how could ancient builders move tons of stone without advanced technology?

The main material used in Puma Punku’s construction is a volcanic rock known as andesite, which is known for its hardness. To manipulate such hard materials with such precision implies the use of specific, highly effective tools. While no metal tools from that period have been definitively associated with Puma Punku, some researchers speculate that the ancient builders might have used tools made from a harder material than the stone itself, possibly bronze alloys, or even tools tipped with diamond.

The precision with which these stones were cut suggests a highly sophisticated understanding of stone-cutting techniques. The H-shaped blocks, for example, have uniform grooves that precisely match the protruding parts of adjoining blocks. This level of detail could have been achieved through some form of measuring and templating system, which allowed for the mass production of nearly identical stone blocks.

Moreover, the layout and assembly of these stones suggests that the engineers employed complex geometrical and mathematical principles in their design. The arrangement of the buildings and the compound itself shows alignment with astronomical bodies, which may have been used to determine solstices and equinoxes, crucial for agricultural and ceremonial purposes.

The layout of Puma Punku shows evidence of astronomical considerations. The main temple complex is oriented to the cardinal points, with some theories suggesting that the site is aligned with the sunrise on the solstices and equinoxes. Such alignments would allow for the tracking of solar events crucial for agricultural calendars and religious ceremonies, thereby helping to regulate planting cycles and communal gatherings.

The Tiwanaku civilization, centered around Lake Titicaca in present-day Bolivia, is the culture most often attributed to the Puma Punku’s complex. This connection would date the site from 536-600 AD. However, it is possible that Puma Punku dates back much further to pre-history. In 1926 an Austrian explorer, Arthur Posnansky suggested that Puma Punku was much older than previously thought and could be dated back to 13,000 BC. This theory was expanded on by archaeologist Neil Steede when he compared the astronomical alignments of the main temple with celestial events that happened 17,000 years ago. When the Inca people arrived at the site in the 1400s it was evident that the massive destruction occurred centuries before that date. The Incan mythology states that the first inhabitants had supernatural powers and could levitate the large stones great distances with the use of sound. This is similar to the theories surrounding Nan Madol in Micronesia. In fact, most of the large sandstone blocks were quarried about 6 plus miles away with no feasible way to move them from that distance. The smaller andesite stones were sourced almost 56 miles away at Lake Titicaca. Incan legends also link the site with what they felt were the first humans and they carved stone portraits that depict faces of multiple worldwide cultures and civilizations. In addition, the Incans believed that the site was destroyed by a combination of earthquakes and floods.

Regardless, the current inhabitants of the area, the Tiwanaku, have developed a complex society with a rich mythological and religious tradition. Celestial bodies, particularly the sun and the moon, play pivotal roles in these traditions. The sun was often worshipped as a life-giving force, essential for agriculture and survival in the harsh Andean environment. This reverence is evident in the orientation of many Tiwanaku temples and the placement of solstice markers within these structures, which were used to predict seasonal changes and plan agricultural activities. It is no coincidence that most of the world’s significant ancient sites utilize celestial alignment in their structures. There was obviously communication over great distances that would require travel by boat, foot and possibly aircraft.

Puma Punku is one more significant archaeological site that once again suggests that a cataclysmic pre-historical event took place that destroyed much of the world. Was it a natural occurrence that couldn’t have been avoided or was it destroyed by the misuse of technologies, ecological travesties, and global war? Yes, to all. Are we repeating history? Yes. Is there time to stop another destruction? Possibly, but we must start now.